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| The Great Wave Off Kanagawa by Hokusai Katsushika. Courtesy: Wikipedia |
I was surfing through the Amazon website looking for a birthday gift for my friend's daughter when I chanced upon a framed canvas print of The Great Wave (Kanagawa Oki Nami Ura) by Japanese artist Hokusai Katsushika. The woodblock print is one of the most famous examples of Japanese art in the world.
Hokusai Katsushika (1760-1849) was a ukiyo-e artist. The term ukiyo-e (浮世絵) means "picture of the floating world. The ukiyo-e genre of art flourished between the 17th and 19th centuries. Ukiyo-e artists created prints and paintings of women, kabuki actors, sumo wrestlers, travel, landscapes and erotica among other things.
If you look at the painting, you will notice a large wave looming threateningly over smaller boats with Mount Fuji in the distance. The extended wave has a claw-like appearance. The dark blue paint used by Hokusai, called Prussian Blue, was imported from England via China. The wave looks like a monster about to strike the boats. According to art critics, the painting symbolises the force of nature and the plight of humans when faced with Nature's wrath.
Hokusai produced this painting, generally considered his masterpiece, when he was around 70 years old. At the time of its creation, the Wave was not considered great art by leaders in Japan but over the years it has acquired something of a cult status, spawning countless reprints and inspiring poetry and music. The one I saw on Amazon was a cheap reprint that I now intend to buy.
The image is said to have inspired Claude Debussy's orchestral work, La Mer. Bohemian-Austrian poet Rainer Maria Rilke was also struck by the diligence of Hokusai and wrote the following poem, The Mountain.
"Six and thirty times and /
hundred times
the painter tried to capture the /
mountain,
tore it up, then pushed on again
(six and thirty times and /
hundred times).
Many years ago, much before I was born, my father's ship ran aground due to a tidal wave near Hachinohe in Japan. I remember all the stories growing up about how brave he was and how he'd managed to get out of a sticky situation. This painting reminded me of him and I couldn't help wondering how he'd felt when the wave had struck.
It is also uncanny how relevant the painting is in the current context of the pandemic.
We have two choices - we could be the panic-stricken fishermen in the boats facing the wave that threatens to obliterate our existence. Or we could be the serene, solid, resilient Mount Fuji in the distance - watching the drama unfold, knowing as Donald Finkel had written in his ekphrastic poem:
In the painter's sea
All fishermen are safe.
The painting has another message for us artists. Hokusai started painting at 6 and produced a masterpiece when he was 70. If that is not a case of persistence paying off, I don't know what is. So keep at whatever it is that you are working on. Things are bound to work out in the end.







